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Erika Rothenberg is a Los-Angeles based artist whose artistic practice consists of drawing, installation and public art. Known for their humor and directness, her text-based works typically play with mechanisms of display and communication. In addition to her participation in the 1992 Documenta, she has had solo exhibitions at Museum of Modern Art, New York, NY (1992);〔Patricia C. Philips. “Review.” ''Artforum,''. October 1992.〕 Washington Project for the Arts, Washington, D.C. (1987); New Museum of Contemporary Art, New York, NY (1989);〔Elizabeth Hess. “Protest Art Vandalized at New Museum.” ''Village Voice''. December 26, 1989.〕 Orange County Museum of Art, Newport Harbor, CA (1989);〔Cathy Curtis. “Coloring-Book Critique of 'America, the Perfect Country'.” ''Los Angeles Times''. August 19, 1989.〕 Contemporary Jewish Museum, San Francisco, CA (1993); Laguna Art Museum, Costa Mesa, CA (1994); and the Centre for Contemporary Arts, Glasgow, Scotland (1995).〔Tim Rayment. “Uproar Greets Art Show of Stolen Suicide Notes.” ''The Sunday Times''. January 22, 1995.〕 Rothenberg has also had numerous one-person gallery exhibitions at Zolla/Lieberman Gallery, Chicago, IL (1991, 1993, 2001, 2008, 2015), Rosamund Felsen Gallery, Los Angeles, CA (1988, 1989, 1991, 1993, 1995, 1996, 2000, 2005), P *P *O *W, New York, NY (1986, 1987, 1990, 1992, 1993, 1996, 1999), Praz-Delavallade, Paris, FR (1997) and Galerie Hubert Winter, Vienna, AU (1992). Her work is in 17 museum collections, including that of the Museum of Modern Art; Art Institute of Chicago; Museum of Contemporary Art, Los Angeles; Stedelijk Museum voor Actuele Kunst, Ghent; and Musée cantonal des beaux-arts de Lausanne. ==Early life and career== After studying art at the University of Chicago and the School of Visual Arts in New York, Rothenberg worked as an Art Director for about eight years at McCann Erickson, where her clients included The New York Times Company, Keds Sneakers, NBC TV and Coca-Cola .〔Cal Lom. ''The Power to Provoke''. Amelie Wallace Gallery. 1984〕 Her work experience fed her artistic practice which tweaks Advertising’s strategies, directness and reach, enabling her to “create social and political commentary with wit.” Los Angeles collector Stuart Spence notes that “Erika says things that need to be said and is seldom said as strongly.”〔http://lagunaartmuseum.org/erika-rothenberg/〕 When presented in store windows or on billboards, her work’s accessibility has not only sparked debates, but has attracted vandals and bishops alike. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Erika Rothenberg」の詳細全文を読む スポンサード リンク
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